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  • A FINE EARLY VICTORIAN GILT BRASS AND PINK -AND -GOLD CAMEO GLASS LAMP, CIRCA 1860. 24in. (61cm) high; 8in. (20cm)...

    A FINE EARLY VICTORIAN GILT BRASS AND PINK -AND -GOLD CAMEO GLASS LAMP, CIRCA 1860. 

    24in. (61cm) high; 8in. (20cm) wide; 8in. (20cm) deep.

     

     

  • A GEORGE IV BURR MAPLE WRITING-TABLE IN THE MANNER OF RICHARD BRIDGENS, CIRCA 1830. The frieze fitted with two mahogany-lined...

    A GEORGE IV BURR MAPLE WRITING-TABLE IN THE MANNER OF RICHARD BRIDGENS, CIRCA 1830.

    The frieze fitted with two mahogany-lined drawers. The feet with concealed castors.

     

    30in. (76cm) high; 48in. (122cm) wide; 26.5in. (67cm) deep.

     

    £6,500

  • A MAGNIFICENT GEORGE II STONE-PAINTED PIER GLASS IN THE MANNER OF WILLIAM KENT, CIRCA 1730. Carved in lime wood and...

    A MAGNIFICENT GEORGE II STONE-PAINTED PIER GLASS IN THE MANNER OF WILLIAM KENT, CIRCA 1730.

    Carved in lime wood and Baltic pine. The eared Greek-key frame surmounted by a frieze with a mask of Flora flanked by floral festoons beneath a broken pediment.

     

    70 in. (178cm) high; 41.5 in. (105cm) wide.

     

    £75,000

     

  • A FINE LOUIS XVI TERRACOTTA AND SIMULATED-MARBLE STRIKING MANTEL CLOCK, THE TERRACOTTA BY JOSEPH-CHARLES MARIN, CIRCA 1785. The drum case...

    A FINE LOUIS XVI TERRACOTTA AND SIMULATED-MARBLE STRIKING MANTEL CLOCK, THE TERRACOTTA BY JOSEPH-CHARLES MARIN, CIRCA 1785.

     The drum case modelled as a wine cask supporting a seated figure of the drunken Silenus flanked by twin naked Bacchantes, indistinctly signed to the rear 'Marin', the white enamel dial with gilt bronze bezel and Arabic hours and quarter hours, pierced gilt hands, the twin barrel movement with silk suspension and countwheel striking via two hammers to bells (lacking); on a faux marble and giltwood plinth.

     

    15.5in. (39cm) high; 12in. (30.5cm) wide; 7.5in. (19cm) deep.

     

    £7,500

  • A FINE OTTOMAN SILK-EMBROIDERED PANEL, 18TH OR EARLY 19TH CENTURY. Embroidered with silk chainstitch flowers on a linen ground. 42in....

    A FINE OTTOMAN SILK-EMBROIDERED PANEL, 18TH OR EARLY 19TH CENTURY.

    Embroidered with silk chainstitch flowers on a linen ground.

    42in. (107cm) high; 42in. (107cm) wide.

  • AN EXCEPTIONAL EARLY NEO-CLASSICAL STATUARY MARBLE CHIMNEYPIECE, CIRCA 1760. With moulded breakfront shelf, the tablet carved with a recumbent lion,...

    AN EXCEPTIONAL EARLY NEO-CLASSICAL STATUARY MARBLE CHIMNEYPIECE, CIRCA 1760.

    With moulded breakfront shelf, the tablet carved with a recumbent lion, on simple scrolled jambs.

     

    51.25in. (130cm) high; 59.25in. (151cm) wide; 6in. (15cm) deep.

    Aperture: 39.5in. (100cm) high x 41.25in. (105cm)

     

    £85,000

     

    Closely related chimneypiece at Foremark Hall, Derbyshire, circa 1761 and probably supplied by the sculptor Ricard Hayward.

  • A MAGNIFICENT PAIR OF JAPANESE IMARI VASES, CIRCA 1700. 35.5in. (90cm) high; 18in. (46cm) diameter Provenance: private collection, Berwickshire. £29,500

    A MAGNIFICENT PAIR OF JAPANESE IMARI VASES, CIRCA 1700.

     

    35.5in. (90cm) high; 18in. (46cm) diameter

     

    Provenance: private collection, Berwickshire.

     

    £29,500

  • AN EARLY VICTORIAN HUNGARIAN ASH WELLINGTON CHEST ATTRIBUTED TO HOLLAND & SONS, CIRCA 1860. With six graduated cedar and mahogany-lined...

    AN EARLY VICTORIAN HUNGARIAN ASH WELLINGTON CHEST ATTRIBUTED TO HOLLAND & SONS, CIRCA 1860.

    With six graduated cedar and mahogany-lined drawers banded in a dark burr wood.

     

    40in. (102cm) high; 24.25in. (62cm) wide; 19in. (48cm) deep.

     

    £4,800

     

  • A FINE PAIR OF GENOESE PAINTED SIDE TABLES WITH BROCATELLO MARBLE TOPS, CIRCA 1750. Original painted decoration and bronze hardware....

    A FINE PAIR OF GENOESE PAINTED SIDE TABLES WITH BROCATELLO MARBLE TOPS, CIRCA 1750.

    Original painted decoration and bronze hardware.

     

    36in. (91cm) high; 54in. (137cm) wide; 26.5in. (67cm) deep.

     

    £68,000

  • ATTRIBUTED TO JOSEPH NOLLEKENS (1737-1823) A COMPANION OF ULYSSES, AFTER THE ANTIQUE BUST IN THE TOWNLEY COLLECTION, NOW IN THE...

    ATTRIBUTED TO JOSEPH NOLLEKENS (1737-1823)

    A COMPANION OF ULYSSES, AFTER THE ANTIQUE BUST IN THE TOWNLEY COLLECTION, NOW IN THE BRITISH MUSEUM, LATE 18TH CENTURY.

     

    Statuary Marble. 

    26in. (66cm) high; 15in. (38cm) wide; 12in. (31cm) deep.

     

    £ POA

     

    This bust is a late 18th century English copy after the antique bust excavated from Hadrian’s Villa in 1769 and acquired by the great collector Charles Townley in 1772. The antique bust appears in Zoffany’s 1782 painting ‘Charles Townley in his Sculpture Gallery’. On Townley’s death in 1805 his collection, including ‘Companion of Ulysses’ was acquired by the British museum.

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